REVIEW: Nightcrawler (2014) March 2, 2016Posted by Dragan Antulov in Film Reviews.
Tags: Bill Paxton, Dan Gilroy, Jake Gyllenhaal, Rene Russo, Riz Ahmed
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A Film Review
Copyright Dragan Antulov 2016
Even before Spotlight got its Academy Award, it was hailed as one of the rare truly great films about great journalism. One of the reasons why such films are rare could be found in the fact that great journalism is rare. Like in many other activities, journalism seldom ascends to fit noble professional ideals. So, instead of informing public and making the world a better place, it is more common for modern media to distort the public perception of reality. Therefore, media is more often part of the problem instead of being part of solution. The discrepancy between journalism as it should be and journalism as it is sometimes may become frightening. Probably the most explicit and one of the more disturbing portrayals of such discrepancy might be found in Nightcrawler, thriller directed by Dan Gilroy.
Protagonist of the film is Louis “Lou” Bloom (played by Jake Gyllenhaal), ambitious but unemployed young man who makes a living on the streets of Los Angeles through petty crime. His attempts to find permanent and legitimate employment fail until he becomes a witness to a spectacular traffic accident. At the scene he meets Joe Loder (played by Bill Paxton), freelance videographer who sells dramatic footage of accidents and crimes to local television stations. That gives idea to Bloom and he buys a camcorder and police scanner and starts stalking the streets at night in search of graphic images of violence and destruction. Bloom’s lack of experience is quickly compensated by his perseverance, dedication and complete lack of scruples. He starts partnership with Nina Romina (played by Rene Russo), middle-aged news director of a struggling television station and provides her with spectacular and graphic footage that raise the ratings. Bloom obtains new equipment, an assistant (played by Riz Ahmed) and something resembling a career, but his endless search for new and even more sensationalist footage leads him to cross the thin line between being a witness and being a participant of urban mayhem.
Nightcrawler represents something of a true rarity in contemporary Hollywood. Dan Gilroy’s script actually tells a truth that looks like a heresy compared to what almost all other American films and TV shows present. The crime in America is actually in decline. Yet, based on what news industry (just like Hollywood) tell, it is an apocalyptic crisis and it is covered at the expense of more pressing matters like pollution, political corruption or bad economy. The old adage “If it bleeds, it leads” is not only mentioned in the film, it is even more explicitly expressed when Nina’sets priorities for her new partner. Nightcrawler also deals with other social aspects of such phenomenon, also by explicitly explaining that the crime stories get more attention when the victims are white or middle/upper class instead belonging to the poor or/and minorities.
However, deeper issues in Nightcrawler are in many ways overshadowed by its conventional genre structure. Gilroy as a director proves very capable in his directorial debut. Almost entire plot is set during the night and Los Angeles is portrayed both as an visually attractive city of dreams and neo-noirish urban jungle. This is especially evident in a gruesome and disturbing crime scene set in an house belonging to affluent neighbourhood. Even more impressive is Jake Gyllenhal in a role that amounts to the most frightening and despicable character of his career. Bloom is portrayed as a sociopath, a man lacking any sort of compassion, scruples and moral, yet endowed with intelligence, perseverance and something that could be described as professionalism. His quest for fame and fortune through other people’s misery is presented as a more extreme form of an American dream, and the unconventional (although not exactly unpredictable) ending serves as an ironic illustration of an idea that in America literally everyone has a chance to succeed.
Gyllenhaal’s character, on the other hand, also represents a major flaw of Nightcrawler. Gilroy’s script tells a sad tale of contemporary media and society from a perspective of rather unusual character. Bloom is presented as a young man lacking formal education and who starts at the fringes of society. The film would have been more effective with Bloom being or, at last, starting like a “normal” character very much like Walter White in Breaking Bad. It could have been much more effective with protagonist beginning its path as someone with journalism degree and with unemployment in modern media industry adding another layer to the plot. However, even with such opportunity squandered, Nightcrawler still represents one of rare Hollywood film that tells some disturbing truths about world and its general perception.