REVIEW: You Carry Me (2015) January 26, 2016Posted by Dragan Antulov in Film Reviews.
YOU CARRY ME
(TI MENE NOSIŠ)
A Film Review
Copyright Dragan Antulov 2016
Critics didn’t like Narodni heroj Ljiljan Vidić, comedy that is supposed to be something of a hit in Croatian cinemas. I guess that Croatian filmmakers don’t like either. The main reason, however, would have less to do film’s quality and more with its genre, making it a one among few Croatian films you could enjoy watching together with late-night pizza, beer and non-cinephile friends. Those kinds of films, regardless of their quality, are among the least likely to get funding from Croatian Audiovisual Center, govermnent agency whose officials tend to prefer films that are supposed to do well at festivals and the arthouse circuit – menacingly serious heavy dramas about characters or situations you are lucky to watch on screen instead in real life. Most of such films are ignored by Croatian public, with humiliatingly low box-officers numbers often justified by generally poor quality of filmmaking. From time to time, however, some of those titles employ enough talent to justify every bit of taxpayers’ money invested and in some, even rarer, cases, a film might turn out to be something quite remarkable. You Carry Me, feature debut of Ivona Juka, is one of such films.
Plot is made out of three stories about three women in contemporary Zagreb. The youngest of them is Dora (played by Helena Beljan), young androgynous girl who dreams about becoming soccer manager when she grows up and takes Zdravko Mamić, controversial manager of Dinamo Zagreb club, as her role model. Her father (played by Goran Hajduković) is Vedran, small-time drug dealer who spent previous few years away from his children and wife Lidija (played by Nataša Janjić) and now tries to make a new start by being good parent and honest citizen, with predictably unsuccessful results. Lidija works as a makeup artist for the television soap opera which is directed by Ives (Lana Barić), dedicated professional who fights a losing battle for sanity while trying to take care of her loving but increasingly demented old father (played by Voja Brajović). Nataša (played by Nataša Dorčić) is a middle-aged producer of the soap opera whose career brought material success, but who nevertheless has to deal with some unpleasant issues like pregnancy, husband’s infidelity, serious illness and traumas from distant past.
Some of the reviewers compared Juka’s film with Alejandro Iñárritu’s films like Amores perros and 21 Grams or Paul Haggis’ Crash. The most obvious reason for that is structure. The similarities between You Carry Me and those films, however, end there. Juka’s film is not only original work, but it is confidently and uncompromisingly set in Croatian present. Unlike many of her colleagues she simply refuses to deal with Croatian past, whether she sees it idyllic or traumatic. Although all three stories are personal, she doesn’t shy away from bigger picture, which is far from flattering – impoverished citizens at the mercy of all-powerful banks run by heartless managers, inability of an average person to have a decent life with average salaries, petty and sometimes not even petty crime as the only way to get ahead and ever-present corruption that touches every aspect of society, including national politics. The general picture might be bleak, but it is nevertheless impressive, due to talents of cinematographer Mario Oljača, who perfectly captured snow-covered streets of Zagreb. Italian composer Teho Teardo also provides an important and effective ingredient to the general atmosphere.
Juka’s greatest asset could be found in actors. She had some experienced people at her disposal, namely Nataša Dorčić who bravely deals with potentially thankless role of a pregnant middle-aged woman. Some of the talents she found outside of Croatia, namely in great Serbian actor Voja Brajović and Slovenian actor Sebastian Cavazza who is very good in role of Nataša’s husband. Some of the actors are pure revelation. Helena Beljan is effective as a little girl who is both fascinating and also, at times, frightening and who wouldn’t have to worry about acting career if Croatian cinema industry hadn’t got bias against horror genre. Another acting revelation is Gordan “Čupko” Hajduković, former leader of Dinamo Zagreb fans who used to end up behind bars for various violent offences. He apparently lacks of acting experiences, but he compensating that by adding great deal of authenticity to the character and some of the scenes where he appears are the most powerful.
Some of that authenticity, however, might hurt the film, at least among the more squeamish segments of the audience. Juka doesn’t shy away from portraying graphic or disturbing scenes, whether it is violence, drug use (some of which involve little Dora) or sex. The bigger problem, however, seems to be the lack of tempo. With more than two and half hours, You Carry Me is a little bit overlong and sometimes it gives away an author too fond of her work to give it a proper editing. Ivona Juka, however, even then shows a great talent and when those two and half hours pass, the audience is left with a powerful film with impact that dwarves commercially successful yet easily forgettable Croatian films.